The Library of Spanking Fiction: Wellred Weekly


Wellred Weekly
Volume 1, Number 4 : January 6, 2012
 
Articles
Items of interest regarding all things spanking

Interview with the Author: flopsybunny
by flopsybunny

How did you get started writing spanking fiction?
I began to take an interest in spanking when I was a pre-teen. There was a teacher at my school who I had a huge crush on, and in his class I morphed from a model pupil to a very badly behaved one, constantly seeking his attention by messing around. One day he became so cross with me, he vowed to put me over his knee and give me a damn good spanking if I didn't behave. Well, that was like the proverbial red rag to a bull. I misbehaved even more but alas, I never did get that threatened spanking, just detention!

Still, a seed was sown that day that grew throughout my adolescence, and it was fed and watered by a regular diet of the greatly admired Dandy, Beano and Topper comics. Characters like Minnie the Minx, Dennis the Menace and Beryl the Peril became my friends, and I remember chuckling at how they inevitably ended up sitting in a bucket of water or a fish tank to cool their well roasted rumps.

Although I have had a dozen or so books published by mainstream commercial publishers over the years, not one of them is even vaguely spanking related. I didn't start writing spanking stories until 2000; perhaps the Millennium influenced me into actually doing something about it - compounded by fast broadband and the discovery of spanking story web sites.

Initially I wrote purely for my own enjoyment, and then gradually began posting a few stories on a couple of spanking sites. I have over 450 stories in the Library of Spanking Fiction, and as many again floating around in my head ... I must get round to writing them all someday.

Where do you find inspiration for your stories?
As a child, my parents always read to me, and way back then I developed 'a nose for books'. I loved the way they could transport me into a different world - in the intervening years, books have lost none of their magic for me. The Kindle has a place in this electronic world of ours, but for all its wonderful lightweight convenience, will never replace (for me) the physical feel of a favourite book to curl up with in a comfy chair by the fire.

I'm very fortunate in that I have a vivid imagination. Maybe some of that can be attributed to sitting in front of 'the wireless' (it was actually a waist-high relic that belonged to my Grandad) from an early age, staring at the monstrous piece of furniture in awe as the lady from Listen With Mother spoke out of it, telling marvellous stories that came to life inside my head.

I suppose I am influenced by external factors - movies, TV series, books, and also by friends and strangers alike. When observing people, often a particular mannerism or a certain look can spark my imagination and generate an idea to write about. There have been times I have drawn on things that have happened to me personally.

Sometimes, fully fledged characters just seem to jump out of my head, demanding to be written; they can be erudite and serious (such as Conrad Black in The Curiosity Shop, or completely bonkers and funny (such as Dotty in Country Life). It doesn't matter which because I like variety

When you write, do you ever model any characters after actual people?
I have only done it once as far as I can recall. It was for a series called Sid's Sandwich Shop, and at the end of the story Sid and his plump wife Nelly drive off into the sunset in their motorbike and sidecar. I got the idea when I saw a middle-aged couple chugging sedately along a busy road; he was driving the bike and she looked as though she was firmly wedged in to the sidecar. Both were wearing black helmets, massive goggles, and big smiles. It was a hugely entertaining spectacle. Whoever they were, they will live on in spanko history as my Sid and Nelly!

I think a good writer should be skilled in observing the idiosyncrasies of human behaviour, noticing subtle shifts in mood, and intuiting thoughts that people deliberately try to conceal. I do lift certain traits, mannerisms, expressions of speech, etc from real people, and that can be fun. But I prefer it when the characters I have created find their own voice and take over the writing of the story, even if it then deviates from course and goes in an entirely different direction to the one I expected.

Do you have a favourite book or story that you've written? A favourite genre?
My favourite orientation is M/F, and although a substantial number of my stories are M/F, I do like to experiment and have written M/f, F/F, F/M and F/m etc. I'm not a big fan of stories depicting children getting spanked unless they are meant to be humorous, as in the slapstick Horrible Aunt Harriet stories.

I like an eclectic mix of stories and genres, ranging from everyday domestic tales, to more imaginative stories with a supernatural twist, or a heady dose of fantasy. I particularly like writing something where the distinction between fantasy and reality is blurred, leaving it up to the reader to figure out what is real and what is not.

Some of my own personal favourites are The Green Man, The Earth Mother, The Apothecary's Daughter, The Castle, Carousel, Box of Tricks, and The Dreamer. Plus a selection of the funny ones - Country Life, Pig, Bare Bottomed In A Chinese Restaurant, A Very British Tradition, and A Business Investment. Interestingly, those in the first group are not as popular - maybe because they don't have sexy/sensational sounding titles, and because they are (deliberately) not written in a style that provides a 'quick fix' for those readers seeking armchair orgasms!

What are your views on spanking fan fiction?
When I think of fan fiction, I define it as:

• Fiction written using another author's (usually copyrighted) characters and/or world

• Fiction which is shared, but never sold

No offence intended to anyone who writes fan-fiction, but it isn't my bag. It doesn't work for me at all, and I can't see the appeal in taking characters and situations and environments created by someone else. I prefer to create my own.

Still, I reckon that anything that encourages people to write is a positive, and there are many books that have gained cult following which have also attracted a huge amateur fan fiction entourage.

When writing a longer story, do you plot out the detail in advance, or make it up as you go along?
It depends. I often start off with a word or phrase or name, or a particular location such as a wood. The latter was the setting of the story called The Woodsman. Alternatively, if I can recollect a feeling of mood or the atmosphere of a dream and start from that premise, I just enjoy writing until something more substantial evolves around it. I enjoy being somewhat experimental and I don't like to be over prescriptive as it is too restrictive.

Having said that, for a longer work, it is necessary to have some idea of where you are going with conflict, character and resolution, or you may end up writing yourself into a corner with no way out.

With longer works, plot development and strong characterisation are essential. I make notes on my characters, building character profiles which outline age, eye and hair colour, height, temperament, gait, posture, habits, personality traits etc.

Name some stories by other spanking authors that you like, and say why.
My first foray into spanking fiction led me to Laura's Spanking Corner, where I discovered works by Flogmaster, Ginger, and the excellent school stories of Mike from London. I particularly like Flogmaster and still enjoy reading his stories; he can write convincingly and has a very varied repertoire.

I also enjoy reading DJ Black. Like Flogmaster, he has a large and varied body of work and never seems short on new ideas to weave into descriptive spanking stories. DJ Black and I collaborated on a serial called The Prophecy which was an interesting experience as neither of us had previously been involved with collaborative writing. Our approach was to write alternate 'chapters' and it worked well. I'm sure there is scope there for a separate article!

The first time I ever read anything by John Benson I dismissed it with a shrug and a puzzled expression, but I have acquired great respect for his writing style over the years; he has the most marvellous way with words. This brief extract from The Mageling is beautifully evocative:
"The minstrel sang in a soft high mournful tenor and all the while his lute played intricate counterpoint, poignant runs and trills Marta found quite stunning. He sang of the ancient times, sang of the giant Connor and his band of heroes as they rode out to confront the wickedness ..."
Another old favourite of mine is ruegirl (sorry rue, I didn't mean to imply that you are old). She writes excellent dialogue and can portray pathos and comedy equally well. I particularly enjoy some of her longer serials such as The Captive and Priestess as well as many of her short stories, all written with flair and creativity. I am not a fan of romantic fiction per se, but I do appreciate spanking stories like ruegirl's where there is an element of romance providing it isn't too schmaltzy - excessive maudlin sentimentality makes me reach for the puke bucket!

There are far too many talented new authors to mention, but Maryanne, in my opinion has written an outstanding series entitled Sharper Than A Serpent's Tooth. Maryanne, if you ever read this, please come back and finish off the series! We desperately need to know what happens next!

Which point of view do you tend to write in? Why do you prefer it over other POV's?
A mediocre idea can become a great one if presented by the right point of view. Writing in the first person supplies an immediate focus, a kind of central consciousness, and it gives the narrative immediacy. But I do find that with the first person, you are limited to what your character can reasonably see, know and feel. There is evidence that too many writers use the first person without fully understanding it, and their stories are often botched as a result.

I much prefer to write in the third person, where characters and situations are presented by a narrative voice that exists outside them. I sometimes use the omniscient approach, which gives flexibility as the voice of the story knows all; I sometimes use the third person limited approach; and I sometimes just write whatever is in my head without analysing it, and hope it all turns out ok!
 
20 comments:
bendover said...
I loved this, Flopsy.

I'm not a big fan of First Person because of the constant use of the "I this and I that." After a while it becomes annoying. Plus, you can't get into another character's head with first person. You can't say what that person is thinking to your readers. I have to say we have some talented authors who use it well.

Fan fiction isn't my bag either.

As for the supernatural twist you speak of: I think you'd like The Vampire Elsbeth. (Shameless plug, I know) :)

B
6 January 2012 18:08
sugarmouse said...
I have yet to read anything that you have written without loving it! I love your humorous stories, I love your slightly spooky ones, I love every clever one of them!

I consder we are incredibly lucky to have such a talented writer in our midst and working endlessly on our behalf!

I will now pass round the hat for a collection for sherry and crisps! :D S
8 January 2012 00:09
TheEnglishMaster said...
Thanks for the insights into your amazingly creative output. It's a testament to your skill that the 'whatever is in my head ... hope it all turns out OK' ones do just that; in fact, they're impossible to identify! Your stories have a naturalness about them that is always so readable. What's more, you must be the most versatile author here, with your range of genres and styles. Finally, what I love about so much of your work is how quintessentially ENGLISH it is - often Northern, too.
8 January 2012 01:44
islandcarol said...
It has been years since I thought of Laura's Spanking Corner when the internet was still pretty new, those were/are great stories.
I can tell you are doing exactly what you love whenever I read your work. It is flowing and rhythmic in a quiet unassuming manner. This article reflects your talents.

I know I have mentioned this before to you, but not publically. It is astonishing to me how large your community has grown here in the library because of your, hard work, vision and perseverance. How fortunate are all of us to be a part of it..
IC
9 January 2012 04:32
graciesays said...
Always enjoy your tales. Thanks for your insights.
And I too remember well "Listen With Mother"!
9 January 2012 09:23
jools said...
I agree with above comments Flopsy and add to the chorus of voices saying how lucky we are to have your wonderful and inspirational stories on this site. Keep them coming! x
10 January 2012 10:08
barretthunter said...
I'm sure your comment about titles is apt, Flopsy. I've noticed with my own stories that titles with words like spank and nurse get a lot of readers. Trouble is, I don't much like such titles: they seem too obvious to me. I AM a fan of your supernatural fiction!

Most of the time I too use the third person, but the first person is an interesting challenge and while it restricts you, it poses a fascinating challenge, to make the world as that character would see it. That way you can communicate a lot about your character by the way (s)he describes something.

As for spanking fan fiction, I find spanking bottoms much preferable. However, I don't know if this count as fan fiction, but there's a lot of fun in taking well-known characters and exaggerating or distorting them a bit while retaining distinctive characteristics. A variant is to introduce characters from different series or authors to one another. How would James Bond get on with Poirot, or Sherlock Holmes with old Mayfair's strip girl Carrie?
10 January 2012 16:25
Seegee said...
Great insight and interview, flopsy. I'd love to know what you had published commercially and maybe even read it to compare styles. I adore your Horrible Aunt Harriet stories and always eagerly read each new adventure.
14 January 2012 07:00
mati said...
Thanks for all the information. I wondered already if you are only writing spanking stories, now I got the answer. As to the work of John Benson I must admit that I did just the same: dismissed it with a shrug and was quite puzzled why everybody else is praising his work so high. Maybe I should have a second try on his work too.
15 January 2012 21:41
Lincoln said...
Most interesting. Like you, my original interest arose from those great comics the Dandy and Beano. That was before they became PC. In the old days you could always rely on at least one spanking or caning at the end of the strip. Of course we kids indentified ourselves with it as we were spanked at home and caned at school.

I never got to grips with most of John Benson. For some reason in my early validating days, I got a whole stream of them, and they did nothing for me. Perhaps I should revisit them,

At any rate, I just love your stories, particularly the Horrible Aunt Harriet ones. You can always count on a twist in most of them.
15 January 2012 22:26
njrick said...
I agree with your statement about observing the idiosynchrosies of human behavior, and letting characters finding their own voice. These help make a story 'real' - no matter how far-fetched the plot might be.
16 January 2012 04:17
emeganh said...
Flopsie,
I always read your stories first. Keep up the good work.
Megan
17 January 2012 02:16
corncrake said...
This is such a good and informative interview which tells us so much. It's fascinating to read of the influences under which your considerable talents developed, and how you've put them to use for the delectation of us all! Your quite considerable imagination is what I most admire. Thanks, flopsy, for being such an inspiration.
17 January 2012 09:41
KJM said...
Lovely interview, Flopsy. I wonder who the interviewer was. :)

You are a very creative person with words and images as is evident by your lovely stories and amazing editions of the Wellred Weekly and its older cousin, Weekly Whacker, as well as the hillarious descriptions of BL Islanders' dwellings (btw, wouldn't it be nice to reassign some of the inhabitants of Buildings and Towers?) .

I'm really grateful for getting your invitation to post a few stories in the Library exactly 1,600 days ago and being able to know your work.


17 January 2012 20:23
mch said...
Laura's Spanking Corner - how could I have forgotten it? On checking my favourites list I see it's still up and running, though it hasn't been updated for many years. Glad that Mike from London has found a new home on KLSF, for me he is one of the best.
Of the many spanking sites on the web I think KLSF is one of the very best, in fact probably No.1 for me. It is so clearly run by highly intelligent and literate people, not least of which is you, Flopsybunny.
12 July 2012 14:48
poppa_mark said...
Loved reading your interview and we have several of the same authors as favorites... but Flopsy about YOUR first spanking and your personal experience. If I may be so bold, I'd love to hear about when fantasy became reality for you, and I am sure I am not alone. :)
8 September 2012 14:45
turk said...
Flopsy, I thought that was a terrific idea, well carried through, great insight into your art. I found it interesting that you had a male authority figure in your early years, I had a female teacher who was my heart throb, I still remember her and recall one of her after school "chats". Thanks.
8 September 2012 17:05
Jacqueline2 said...
Thank you flopsy. That was simply sooooo interesting and enlightening. Like you my first spanking fiction was Laura's Spanking Corner which I took to as if a whole door had been opened for me. I think my first fantasy also revolved around a teacher. For me though it was a 'she' and I was six! Why did it take me until my 50s to develop that interest???!!!
8 September 2012 20:58
TomHobbes said...
Very insightful for all of us who enjoy the fruits of your many hard labors. A couple of things which, to me, mark your work are not addressed. First, your energy level is beyond comprehending and I have to wonder whether the LSF has a random drug testing policy? No one can or does have the level of energy resulting in great work as do you. Second, your extraordinary personality under girds your writing. You have such a delightful sense of humor [humour?], a calm equanimity couple with an energy that delights. Was that just good genetics? Or the nurture as well as the nature. I cannot imagine any of us who would not want to meet you in a lecture hall someday just to listen for a couple of hours. Thanks again for the interview and even more for your writing.
9 September 2012 17:38
barb said...
Thank you Flopsy for letting me know more about who you are and your writing interests. I am a a big fan of yours and was happy to read this article. I, too, started reading Laura's corner.I love every story of yours (and series, etc.) that I have ever read.
11 September 2012 19:40

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